Bio

Miao Xuan Liu explores the movement of history, grief, power, and affect through bodies and environments. Formally trained in craft, Miao sculpts with materials as varied as clay, textile, foam, found object, and wax, mindful of their poetic undercurrents and inheritances. In this way her sculptural practice engages with contingency, process, and possibility, probing the edges of matter and meaning. In a recent exhibition at Blouin Division (2024), Miao employed cement, pantyhose, wax, human hair, Hei Mu Er Traditional Chinese Medicine mushroom, junk from the railway beside her studio, and AliExpress tourist fans sourced from Toronto's Chinatown to draw relationships between the body and vernaculars of failure and ubiquity, the detritus of daily life that capital renders as waste.

Miao's current interests lie in desire and the fictions which shape their encounter, specifically in the context of the (North)“American Dream”. She is influenced by the theorist Lauren Berlant and their text Cruel Optimism, which describes inventions of social promise that have prevailed since the 1980s, such as “upward mobility, job security, and durable intimacy”, and the inherent contradictions of liberal-capitalist society to fulfill these desires. With material encounter acting as proxies for our own precarious balances, Miao asks how aspirational fictions shape the way we engage with one another and ourselves, and the form of desire unfulfilled, transmogrified, or made anew. 

Miao has exhibited with Blouin Division, Patel Brown Gallery, Ignite Gallery, Xpace Cultural Centre, and Hearth Garage, and completed residencies with Silverfish Magazine, Harbourfront Centre, Dias:stories, and Monuments of the Future: transatlantic research exchange on memory culture. 

Contact Miao here.

Education

2023 - Bachelor of Art, Material Art and Design, OCADU

2016–2018 - Ecology and Evolutionary Biology, University of Toronto

Selected Exhibitions 

2025, Tunnel Vision, Upstairs, Toronto

2025, At The Eleventh Hour, Hearth Garage, Toronto 

2024, Fantasies and Foreclosure (solo), Blouin Division, Toronto 

2023, Powerhouse, Ignite Gallery, Toronto

2023, Yolk (solo) Xpace Cultural Centre, Toronto

2023, Break it to me Gently, Patel Brown Gallery, Toronto ON

2022, Blueprints for a Collective Home, Shoes Off Collective, OCAD University, Toronto ON 

2020, now that the artifice is dissolved, Hearth Garage, Toronto ON

2020, Everything Came Back to Me, the abandoned lot at Cunningham, Toronto ON

Professional Affiliations

September 2025–present, TD Communications & Engagement Assistant, Mercer Union

March–September 2025, Independent Curator, Alexa Hatanaka and Johnny Nghiem at Prince Takamado Gallery, Embassy of Canada, Tokyo 

May–July 2025, Interim Communications Coordinator, South Asian Visual Arts Centre 

2025, "Solace is a Being Made of Light", two-person play by Philip O'Campo accompanying At the Eleventh Hour at Hearth Garage 

2024, Wet Felting Workshop Host on behalf of Shoes Off Collective, Xpace Cultural Centre

2024, Performer with Akash Inbakumar, Partners in Art, ARTrageous Fundraiser

2022–current, Shoes Off Collective, core member 

2023, MOCA Emerging in the Arts Workshop, Toronto 

2023–2025, Set Dresser, Film Industry, Toronto

Jan–April 2024, Ceramics Instructor, City of Toronto, ON

2023, Artist Talk, Ignite Gallery, Toronto ON  

2023, 2024, Fabrication Assistant, Installation Assistant, Alexa Hatanaka, multiple projects, Toronto ON



2023, Artist Assistant, Akash Inbakumar, Toronto ON

2022, Felting Workshop Host, Shoes Off Collective, Toronto ON

2022, Weaving Workshop Host, Silverfish Magazine, Toronto ON

2020–2023, Monitor, Plastics Fabrication Studio, OCAD University, Toronto ON

2018, NSERC, Undergraduate Student Research Award, University of Toronto, Botany Laboratory under supervision of Dr. Rowan Sage  

Residencies 

2023, Dias:stories: Tender Curiosities, SSHRC Funded Workshop and Community Research Group 

2023, Xpace OCADU Graduates Residency, Toronto 

2021–2022, Monuments of the Future, International Dialogue on Design, Research, and Memory Culture, OCADU, Harvard University, Goethe Institute, and Academy of Media Arts Cologne, Toronto and Germany

2022, Metal Studio Summer Resident, Harbourfront Centre for Craft and Design, Toronto ON 

2020, Silverfish Magazine, Artists and Writers Residency, Toronto ON

Press

2024, Cunt Magazine Issue 1

Using Format